Tag Archives: rock music

Drookit But Still Smiling

Anyone who follows my activities can probably guess what’s coming next…..

Rock Mum was out to play again last night.

After a mad dash home from the Salt Mine, a quick change of clothes and a much needed bacon sandwich, I rushed off to catch the 5:25 train to Glasgow, ably chaperoned by Boy Child.

Our destination this time was the O2 Academy in Glasgow. (Boy Child’s favourite venue) We were off to see Rival Sons.

The only drawback – the weather. It was pouring with rain, there was an icy wind howling and it was Baltic! Just how far did we Spring forward when the clocks changed last weekend? To Winter? Brrr

For once even Boy Child had dressed for the elements – confirmation of just how awful it was if the teenager was feeling it!

As we stood outside the venue in the growing but shivering, damp queue (no coffee shops next to the venue so no caffeine fix- BOO!) I couldn’t help but wonder what kind of an evening we were in for.

We’d seen Rival Sons back in December and much as I’d loved their set, there was something not quite right about it. Don’t get me wrong, they were brilliant but that little je ne sais quoi was missing.

I don’t think I’ve ever been so relieved to see a venue’s doors open so we could scurry in out of the rain.

Dripping, we stopped off at the merchandise stall to purchase the obligatory t-shirts. Moral victory- we managed to agree on two different designs so no mother/son t-shirt clash to mark this occasion. I also treated myself to a canvas tote bag. (Beats paying 5p a bag in the shops and it’s small enough to fold up and fit in the back pocket of my tardis-like handbag.) Result all round!

There is only one spot to stand at a Rival Sons show – especially if you are with Boy Child. Right in front of Scott Holiday. We found ourselves among the same group of die-hards that we had been beside back in December. See we’re not the only looney tunes happy to see these guys again so soon.

Much to my surprise there was only one support act lined up for the show, New York duo, The London Souls. I’ll be honest – I’d never heard of them. This two piece band, comprising of guitar and drums, transported the Glasgow crowd back in time by about forty five years and played a short but solid soulful set, heavily influence by 1960’s/70’s icons. Worth checking this band out when their debut album is released later this year.

The intro tape played the theme from The Good The Bad and The Ugly. As it rang out over the expectant fans, Rival Sons appeared out on stage.

Glasgow was in for a treat! The boys from California were all dressed in kilts. While frontman Jay Buchanan had gone for a more traditional look, guitarist Scott Holiday was rocking his pointed toe boots and leather jacket with his black kilt. Hot Hot Hot

Their set started with the incredible Electric Man and over the next ninety odd minutes they powered their way through a further seventeen songs, including a short five song acoustic set in the middle of proceedings.

Cue clothing issue as Scott Holiday realised the fans on the rail were seeing a bit more of him than usual when he sat down to play. Thank God he’s not a true Scot!

Highlight of the night for me was their performance of Where I’ve Been. I LOVE that song!

This time the whole set shone- sparkled even. I realised what had been missing from December – smiles.

All of them looked more relaxed and seemed to be genuinely enjoying playing this iconic art deco venue. There was even a hint of mischief from Jay Buchanan as he flicked up the back of Scott Holiday’s kilt during the encore.

It was a joy to see them having fun.

When we emerged into the dark, I  was relieved to find that the rain had eased up. After a short sprint towards the station, with a brief pit stop at KFC (Boy Child was hungry) we boarded the train home. Both of us tired but happy.

We may not have done the mother/son t-shirt thing but it was a cracking mother/son night out.

As Boy Child prepares to leave high school and move on to university, I can’t help but wonder how many more gigs will he will be content to enjoy with his Rock Mum?

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Can You Take A Loaf Into A Gig?

Five twenty five and I’m on a train. It can only mean one thing. Rock Mum aka Rock Friend was off out to play.

Little did I realise……

After a few last minute changes of plans due to illness, I was accompanied by Boy Child, Girl Child. FB Son, Rock Chick Friend and a new addition to the posse, who will be christened later in this tale.

Our destination was the legendary Barrowlands Ballroom in Glasgow where the American rock band Halestorm were headlining for the night.

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As the train pulled into Glasgow’s Central Station, FB Son and the as yet un-named member of our group declared that they needed to grab something to eat. While I darted off to the loo, the two boys headed off in search of some food. FB Son duly returned with a sensible healthy sandwich and some fruit juice. His friend returned with a loaf of bread. Not just any old loaf – an M&S loaf!

Cue every bread joke imaginable!

Bread Boy, no longer nameless, promptly began to munch his way through said loaf slice by slice.

On the taxi ride out to the venue, the loaf was securely tucked into the seat belt just to ensure it arrived safely at the gig.

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It queued patiently with us for forty minutes without a murmur of complaint, although it was now reduced to less than half a dozen slices.

I bumped into my fellow rock chick writer friend and her husband in the queue and they too were duly introduced to Loaf and Bread Boy.

“Are you allowed to take a loaf into a gig?” was a question I never thought I would ponder.

The loaf made it through security and was escorted upstairs via the merchandise stall into the ballroom.

At this point our tale splits – or should that be slices?

The three boys, having dumped their hoodies and assorted t-shirts with Rock Chick Friend and I, disappeared off with Loaf in search of some moshing and crowd surfing. It had already been pointed out that a baguette would’ve been a smarter choice for crowd surfing.

Us girls took ourselves across the hall and secured a spot fairly far forward with a clear view of the stage.

The first support act, Wilson, took the stage by storm and played a blistering half hour set. In front of us, two “females” had pushed their way in and stood drinking throughout the entire set.

Second support band, the amazing Nothing More, followed Wilson and held the audience captivated with their performance. I don’t think I’ve ever seen a more athletic display of drumming. Awesome set! Check both these bands out if you haven’t done so already.

The two “females” still stood in front of us downing pint after pint.

As the hall filled up, it was getting to be more tightly packed around us and it was getting hotter (not helped by the fact I had three hoodies tied round my waist and at least three t-shirts stuffed down the various sleeves).

Halestorm took to the stage, opening their set with Mz Hyde. Love that song!

The two, now very drunk, “females” launched straight into full on dance mode. Both of them were completely oblivious to the carnage they were causing with their drunken gyrations. One had also by now soaked Girl Child down one side as she had thoughtlessly discarded the remains of her beer. After too long watching my baby girl getting bodily thumped and smacked in the face with hair, I stepped in between her and the gyrating drunk.

Now I’m not a large person and I am most certainly not a violent person but I will not stand back and watch my kids getting hassled.

Bracing myself, I let the “female” bounce off me a few times, barely able to retain my own balance. At least Girl Child was out of the firing line.

The crowd was tightly packed around us and there was no visible alternative spot to relocate to. If we wanted to see the stage, we had to stay where we were.

At the end of the number, the “female” turned round to face me and hurled a foul mouthed rant at me about what did I think I was doing. Cue angry rant back about what did she think she was playing at and did she realise that she had repeatedly battered into my daughter. She spat a mouthful of abuse back at me. It was clear to see she was too drunk and too ignorant to care!

To our left, another mother was having a similar conversation with the drunken friend to the same effect.

Despite our best efforts neither of us could attract the attention of the security staff at the front of the crowd. We were stuck with them. I silently prayed that the beer would take over entirely and that they would run out of steam.

Girl Child had had enough. She bailed out to sit at the side of the room. I offered to go with her but she said to stay and enjoy myself. Awash with guilt at my baby girl missing out due to the thoughtless actions of the two drunks, I opted to stay put.

OK, there’s a stubborn streak in me- I wasn’t moving for anyone least of all an ignorant foul-mouthed drunk.

Rock Chick Friend had wandered off to the side to get some air so I hoped Girl Child would find her and not be entirely on her own. (Sadly she didn’t)

Out on stage Halestorm were playing a blinder of a set that included three of the songs from their forthcoming album Into the Wild Life. The main set ended with a fabulous rendition of I Miss The Misery.

And during that who did I spot?

FB Son crowd surfing!

The two drunks had thankfully long since run out of bounce and were at long last not disturbing those around them. Hallelujah!

During Halestorm’s encore someone threw a Scottish Saltire flag up on stage which Lzzy duly held up before tying it round her neck. Wearing it like a super hero cape, Lzzy and the rest of the band ended the show with Here’s To Us.

As the lights went up, I quickly located Girl Child and greeted her with a huge hug. I still felt like I’d failed her.

As the crowd dispersed we waited for the boys and Rock Chick Friend to reappear. The boys turned up first, minus Loaf. The loaf had enjoyed Wilson and Nothing More but after a bit of crowd surfing (humble apologies to Halestorm – those naughty boys lobbed a slice on stage!), the loaf failed to survive the moshing and was trampled underfoot in the mosh pit.

R.I.P. Loaf!

If only the two females in front of us had used their “loaves”. If they had had a little – ok a lot- less to drink and actually been aware of their surroundings then perhaps all of us could have enjoyed a memorable gig.

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Aftermath – due to adverse weather conditions the trains had been disrupted while we were at the gig. Shortly before midnight, tired, wet and weary, the six of us boarded the last train out of Glasgow. It was jam packed. There’s nothing worse than being stone cold sober on the “Piss Head Express”. The train service terminated five stops from home and we were all herded back out into the wind and rain and onto coaches to complete the journey. The six of us ended up on a bus filled with folk who had been to see Lionel Ritchie at the SSE Hydro and who insisted on serenading us with “All Night Long”.

A long night it had been. A long surreal night!

You Can’t Do That To That Song! It’s Just Not Right…….

After last week’s Hayseed Dixie gig I showed some of my video footage to Boy Child.

He threw his hands up in horror and declared emphatically that certain classic rock songs should be “listed” in a similar way to buildings.

He may be on to something here.

For those of you unfamiliar with the term, if a building is “listed” in the UK it cannot be demolished, extended or altered without special permission from the relevant authorities. I believe many other countries have similar legislation covering buildings of historic interest.

In Scotland, there are three categories of “listed” buildings depending on their significance – A, B and C listed.

An example of a Class A listed building would be the Palace of Holyroodhouse in Edinburgh, a Class B example is the Mitchell Library in Glasgow and a Class C example is my favourite haunt, the O2 ABC, Glasgow.

You get the picture, right?

So, if this theory of classification were to be applied to rock songs what would/should be classified as “Listed”?

Do you put an age caveat on eligibility? For example, does the song have to be over ten years old?

Do you categorise it by the number of copies the original sold?

Or the number of downloads on iTunes?

This could get complicated!

Let’s keep it simple for starters, shall we?

Class A listed songs – ones that should never be messed with but may be covered with permission as long as the cover version remains true to the original.

Top of my list would be “Bohemian Rhapsody”. When I asked Boy Child to name his Class A songs he instantly replied “Everything by Led Zeppelin.” I’m sure many of you would agree, I may however be a bit more precise. I’m sure there are a few B’s and C’s in there!

Class B listed songs– ones that may be covered with a modicum of deviation away from the original.

I’d include “Sweet Child O’Mine” in this list, despite the fact it may be my all time favourite song. There are only a handful of vocalists who can do this song justice! A perfect example of an ideal Class B version would be the treatment this song is given by Slash featuring Myles Kennedy and the Conspirators. (note- I still prefer the original)

Class C listed songs – could be altered to a greater degree, with the original act’s explicit consent. This one is harder to choose an example for!

The first song that springs to mind is “London Calling” by The Clash. This was covered last year by Brent Smith and Zach Myers of Shinedown. Their acoustic version of this classic track is significantly different to the original but still retains the song’s identity.

Ok I’ve started the lists – which songs would you add?

A Green Triangle To Paradise City – dreams do come true!

I’ve sat down several times over the past few days to pen this blog. The end result has been the same every time. As soon as I start to write, a smile creeps across my lips and all coherent thoughts vanish in a cloud of twinkly stars.

For several months, Thursday 4 Dec has been marked on my calendar- Slash featuring Myles Kennedy and the Conspirators (aka SMK&C) at the Hydro Glasgow. When the tickets were purchased, this show was scheduled to make the dream of finally seeing Slash play live come true. That dream magically became a reality on Nov 7th as I’ve blogged previously. Last Thursday, however, turned into a completely magical “once-in-a lifetime” experience.

Through the wonders of rock music and social media interaction, I’ve become friends with a lady from Indiana, USA. Over the past few months, we’ve chatted online and the friendship has grown. To cut a very long story, that is her’s to tell, short- HINT HINT about that journal, young lady!- the final stop on her European Tour 2014 was also to be the Hydro on Dec 4th. Finally, I was going to get the opportunity to meet my FB friend face-to-face!

There had been whispers of promises of great things for the evening that I hadn’t dared to get my hopes up about. Mid-afternoon, she confirmed she had a treat in store for us.

Chaperoned by my usual teenage minders – Boy Child, Girl Child and FB Son (Boy Child’s friend) – plus one of my Rock Chick friends, this Rock Mum headed out to play.

One minor issue – how do you find someone that you’ve never met in a crowd of circa 10 000? Easily as it turns out!

As we queued to gain entry to the arena’s bowl, I spotted her coming through the main door, looking all round her. Waving and calling out her name, I caught her attention and she came rushing over to greet us. With the hugs and introductions complete, she opened an envelope and passed me five green triangular stickers – one for each of us. Clearly written across the sticker it said   “Slash Aftershow TDK”!

With arrangements made as to where to meet after the show, we all headed into the arena. It was the rock show to end all rock shows! Despite sound quality issues the first support act, Twenty Two Hundred, did a stellar job in front of quite a small crowd for such a big room. As the rock fans piled in, the second band of the evening took to the stage. This was Glenn Hughes’ new band California Breed. He may be over sixty now but boy can that guy sing! Fabulous set! With the crowd roused to the brink of ecstasy, California Breed left the stage.

Shortly before nine, the house lights dimmed and the creepy clown freak show music began to filter out signalling the imminent arrival of SMK&C. For two hours, SMK&C ruled the stage and commanded the Glasgow crowd. The set ran to some twenty one songs and was a fantastic mix of new and old SMK&C material, classic Guns N Roses and a sprinkling of Velvet Revolver. They played almost all of my personal favourites. Throughout the entire set, I drank in every note, watched every movement and, to be honest, was completely and utterly mesmerised.

The band had a treat in store for the Scottish fans. At the start of their encore, they welcomed Glenn Hughes and Andrew Watt out on stage and played a fantastic rendition of the Deep Purple classic “Burn.” An incredible sight to behold!

As the confetti rained down (guess who forgot to close over her handbag- oops!) during the show closer “Paradise City”, I could feel my nervous excitement mounting.

If watching these guys rule the stage wasn’t enough of a dream-come-true moment, part two was about to commence.

As the rest of the audience trooped happily towards the exits, with trembling hands, we applied our magical “green triangles” to our shirts. Along with a couple of dozen other lucky fans, we were ushered through a door beside the stage and along a maze of backstage corridors into a very basic room, littered with tables and chairs and instructed to wait. While we waited, we all began to chat, introducing ourselves and forming friendships. After about an hour, the door opened and The Conspirators came quietly into the room. Well, two of them did. One definitely failed to slip in unnoticed! It was bassist Todd Dammit Kerns’ birthday and his arrival was met with a loud chorus of “Happy Birthday” that he lapped up with a huge grin.

The next forty five minutes were magically surreal. Even now, five days later, I have to pinch myself and look at the photos (any excuse!) to remind myself it actually happened. The content of our conversations will remain private as these few moments are treasured memories. I became a very proud Rock Mum as Boy Child and Girl Child politely chatted with these rock stars, neither of them the least bit fazed. Much to my great surprise, it was Rock Chick friend who was a tad shy and star struck – meeting Todd Kerns left her completely tongue tied!

I surprised myself, if I’m being honest. I joked and chatted to Todd Kerns, then with Frank Sidoris, who was particularly sweet with the kids, then Brent Fitz, who laughed when I confessed to having zero sense of rhythm. In some respects, it felt like the most natural thing in the world to be doing late on a Thursday night/early Friday morning. In others, it was the most unbelievable few minutes.

The icing on the cake was still to come.

The door opened and a fourth rock star crept quietly into the room, all bundled up in hat, scarf and jacket in readiness for the cold December night air that awaited them all.

It was Myles Kennedy.

Yes, I met Myles! Yes, I spoke to Myles and even managed a brief but sensible conversation with him. Yes, I got my photo taken with him and got a hug into the bargain. Yes, it actually happened! Dream come true!

As the guys were ushered out to the waiting tour bus, I watched them depart, already thinking – did I just dream that?

There’s photos to prove that I didn’t!

I can’t find words to describe how grateful I am for the kindness and friendship shown to us by one wonderful lady from Indiana. If ever there was someone who truly lives the “pay-it-forward” ethos, it is this larger than life rock fan. She is an inspiration!

Thanks to her, many of us around the world have memories to treasure for a lifetime.

I’ve teased her relentlessly on FB over her dedication and devotion to SMK&C, particularly Todd Kerns, calling her their “Rock Mama”.

Last Thursday night, she was everyone’s Rock Mama and, I’m pretty sure I speak for all of us who were given the gift of a magical “green triangle”, when I say a HUGE thank you to the one and only, Janette Martin.

Rock Mama, you took us all to Paradise City!

SMK&C blog collage

To Go Or Not To Go? – There She Goes Again!

To go or not to go – that was the question trundling through my head at the start of last week.

None of my usual partners in crime were showing the slightest sniff of interest.

If I went, I’d have to go alone. Was that even “normal”? (That particular thought lasted a split second as normal doesn’t usually apply!)

Logic – if I didn’t go then I would spend Thursday evening sulking and wishing I had. If I did go and it didn’t turn out too well then I’d wasted my money and given my detractors ammunition to last until Christmas.

Well, you only live once. So I decided to go!

Those of you who have been following my posts should’ve figured out by now where this is heading.

The cause of my great deliberation was, of course, another gig. This time it was The Quireboys 30th Anniversary gig at The Garage, Glasgow.

I loved their first album – still do – and have loved their last two but I have never seen them live. The latest CD came with a live CD and a DVD. Both of these are great but did leave me slightly concerned that this 30th Anniversary tour may involve just too much beer, if you catch my drift.

At the end of the day, there was only one way to find out. Cue another log in to Ticketmaster and Hey Presto once more I held a concert ticket in my hands.

This was going to be a first on two levels. First Quireboys show but also the first gig I’d gone to on my own – unchaperoned!

As I boarded the train, I have to admit it felt a little odd heading off into the darkness without at least one of my usual chaperones. Being the creature of habit that I am, once off the train, I set off in search of caffeine to fuel me for the evening. Sitting in iCafe on Sauchiehall St on my own, I watched the world go by as I topped up my caffeine levels. It was beautifully peaceful and relaxed.

Outside the venue, shortly before seven, I joined the end of the short queue that had formed. There were a couple of familiar faces ahead of me that I recognised from other recent gigs. Once inside, and after a quick stop at the merchandising stall to purchase the obligatory t-shirt (slightly disappointed at the lack of choice and that the only shirt on sale didn’t have the tour dates on the back), I headed into the hall and wandered leisurely up to the barrier. Standing there with no concert buddy beside me felt weird but then the first band stepped out on stage and all thoughts of being unchaperoned vanished. I was soon lost in the brilliant opening set by Irish band Preachers Son- highly recommend them!

Behind me the hall was filling up nicely.

The Vargas Blues Band were on next and I have to slip into “girlie mode” for a moment. I’d kill for their lead singer’s hair! Long thick blonde curls. Why do the guys always get the best hair? He was a blur of hair for most of their set as he lost himself in their music and danced in his own hair encased world. Another really great band worth checking out.

By the end of their set, the hall was suitably filled. It wasn’t getting any warmer, mind you! The hall was decidedly chilly- another first for a gig!

As the earlier caffeine had worked its way through the system, I abandoned my barrier position and made my way through the crowd to the ladies room, bumping into two colleagues from work en route. Surprisingly, I was able to return to my previous vantage point with no problems. Now, however, there was a familiar face standing behind me. A FB friend and Scotland’s biggest Massive fan had arrived with his friend. It was great to meet them both and to have some company for The Quireboys set.

Shortly before nine The Quireboys took to the stage. And so began an hour and three quarters of good fun RnFnR J

Yes, Spike had his pint of beer to hand on occasion but, from the spark of mischief in his eyes, he was having as much fun as the crowd were. He sang. We sang. He forgot the lyrics at one point. We sang the correct lyrics back – much to his great amusement.

Hearing “7 O’clock” round off their main set made me regret never having been to a Quireboys show before.

Their encore ended with a rousing rendition of “Sex Party” and, with an anxious glance at my watch, I realised I was tight for time to get back to the station to catch the train home. With a hurried farewell to my fellow Massive fan, I shot off through the crowd and into the night. (Not quite Cinderella trying to beat the stroke of midnight as I kept both Converse on but you get the picture!)

With my mother’s words of warning about staying away from dimly lit streets and not talking to strangers echoing through my head, I trotted briskly back to the sanctuary of the Central Station, catching the train home with time to spare to buy a much needed bottle of water and a cereal bar aka dinner.

As I sat on the train flicking through the photos from the evening, I reflected on my deliberations of earlier in the week.

To go or not to go? Hell, yes! And I can’t wait to go back again when they return next year!

Quireboys collage

The Night That Was Meant To Be

Ever get the feeling that some things are just meant to be? Perhaps it’s fate. Perhaps it’s luck.

A few months back I secured tickets to a concert that I felt sure was going to be “the one” that would realise a lifelong dream for me. (Well, twenty seven years long to be exact so not quite lifelong)

I was wrong.

A little over two weeks ago, a show was announced that was to be held in a small Glasgow venue on 7th November and would be for fans only. Pre-registration via the artist’s website was required in order to qualify for a code that would then allow you to attempt to purchase a maximum of two tickets. In my excitement and haste, I screwed up my registration. I realised my error less than thirty minutes before registration closed. Too late.

The lack of an email landing with a mythical code confirmed my error.

Gutted doesn’t begin to cover it.

Tickets went on sale the next day at 10am. From reports online there were technical glitches with the codes and subsequent sales. Lacking the necessary code I could only sit back and watch my fellow fans try to secure their golden tickets.

Ok , let’s be honest here, I sat back and sulked quietly, trying to console myself that I would get to realise the dream on 4th Dec.

Tickets were duly snapped up and I genuinely thought that was an end to it.

A glimmer of hope emerged around Tuesday lunchtime when a fellow fan hooked me up with another fan who had details of an unused code. There were rumours of balcony seats still being available. However, despite my best efforts online and via phone, I failed to secure tickets.

Gutted for a second time in five days.

Still sulking (big time by now) I was watching TV on Tuesday night, idly playing around on social media on my phone. A post by the artist caught my eye. There were limited tickets left! All I had to do was email the address quoted in the post. You’ve never seen an email sent so fast in your life!

Lady Luck was smiling on me and within ten minutes, amidst much screaming for joy, I held two tickets for the 7th November show in my trembling hands.

All day Wednesday and Thursday and Friday, I silently fretted that perhaps it had been a hoax. Worried that the tickets were fake and I’d been de-frauded out of my £20 and my credit card details. (Blame the paranoia on all the years spent working in a fraud team)

Even on the Friday evening on the train, chaperoned by Boy Child, I was doubting that this was real.

As I stood in the lengthening queue outside the venue, watching Boy Child chitter with cold in his t-shirt and jeans (yes, bad rock mum let him out without a jacket), I doubted that it was really real.

It was only once we’d cleared security (Boy was it tight!), entered the hall and I was standing in front of the merchandising stall that I allowed myself to believe that it might actually be happening.

Lady Luck was still keeping an eye on me as we took our places, two rows off the barrier slightly to the left of centre stage. Almost my ideal spot in the hall.

So who was I there to see? Who had I waited all these years to see play live?

The one and only – Slash.

Ever since I bought “Appetite For Destruction” on vinyl when it was first released, I’ve wanted to see him in concert.

I guess everything does come to she who waits. And, in true recent concert going for, shows are like buses – two have come along at once!

After a fabulous ninety minute set from Scottish rock band Biffy Clyro, which literally saw me swept off my feet by the crush in the crowd, my dream was only thirty short minutes away.

Boy Child had his eyes set on the mayhem that lies in front of centre stage and, with my nervous blessing, disappeared off into the crowd in the hope of finding a mosh pit. He did.

Standing in front of me was a young man in a checked shirt, who turned round and said, “If I stand here you’re not going to be able to see, are you?”

My reply was, “No and I’ve waited twenty seven years to see this guy live.”

His face was a picture and, in the perfect act of chivalry, he gave up his spot for me. Thank you, young sir!

Now I was one row off the barrier with a perfect view of the stage.

A creepy freak show intro played, closely followed by a blaze of lights, then there he was. Dream come true – Slash was on stage in full view playing “You’re A Lie”.

And the icing on the cake was that Myles Kennedy was out on stage doing the vocal chores! The cherries on this particular “rock” cake were, of course, the Conspirators themselves – Todd Kerns, Frank Sidoris and Brent Fitz.

For ninety minutes, I was held utterly spellbound as my dream became a beautiful reality. The mother in me did start to fret a little as the crowd surfing began and, with my heart in my mouth, I watched for Boy Child appearing over the crowd. Whew!-he didn’t…this time.

Hearing “Sweet Child O’ Mine” played live for the first time was incredible. A moment that will live with me for a long time. That song is possibly my all-time favourite song). Seeing Slash coax his numerous solos out of his guitar was stunning. Watching Myles strut his stuff alongside the super talented Conspirators was breath taking.

Only as the show came to a close with the wonderful “Paradise City” and I, along with everyone and everything in the building, was showered in confetti did I truly believe that all around me was real.

The dream had come true.

And, to return to the cake analogy, this rock chick is allowed, on this one occasion, to have her cake and eat it, as I am now counting down the days until 4th December when I get to live the dream all over again.

Some nights are just meant to be.

SMKC collage

A Smokin’ Girls Night Out

This week the third bus – sorry concert- came along and in its own way this one was extra special.

This one fell the day after one of my best friend’s birthdays. Over the years (almost forty of them) we’ve laughed together,cried together, got drunk together and worked together  many times but, apart from a few musical evenings in the local pub way back in the day pre-children, we’ve never been to a gig together. I’ll be honest, it’s never crossed my mind to suggest it before now. However this one came along at an opportune time and seemed to be the perfect solution to the annual birthday present dilemma. (This particular friend has a habit of saying “I don’t know” when you ask what she would like as a gift. A habit that earned her a gift of a small box with “I don’t know” neatly written on a piece of paper inside it on one occasion)

I was secretly thrilled when she said she’d like to come along.

And the band of choice? – Blackberry Smoke, a southern/country rock band from Atlanta, Georgia.

Thursday, concert day, was one of those days where anything that could go wrong did. All thoughts of a relaxing day off work before heading out for the evening went up in smoke! By the time I picked my friend up, I was a frazzled wreck, running late (which for those who know me is a rarity and a national disaster in my book) and completely and utterly harassed. Somehow we made it to the station in time for our train and I collapsed into the seat with a sigh of relief.

As the train pulled out of the station we both left the stresses and strains of our real lives behind us for a few hours.

The venue for the evening yet again was Glasgow’s O2 ABC (think I’ve got a season ticket for it!) and, after a very welcome, very strong caffeine fix at my usual haunt across the street, we joined a very long queue to get in.  One that snaked up one of the steepest streets in Glasgow. The show was Sold Out. A beautiful thing.

As we climbed the stairs to the larger of the two halls, I debated silently with myself about where we should aim to stand. Near the front? (Neither of us are particularly tall so front is good) Near the back? (Perhaps less crowded and more personal space)

Over our coffees, my friend had confessed to never having stood at a rock show before and to never really having been to one either. Her education has been sadly lacking in this area but I’ll take some of the blame for that.

I guided her over to the merchandising stall and treated her to a purple Blackberry Smoke T-shirt to celebrate the loss of her concert virginity!

There was still space just off the barrier, so in for a penny in for a pound as they say, and we took our places.

The support act for the evening totally blew me away. It was Aaron Keylock, an extremely talented young blues guitarist. He’s been on the professional blues circuit for about four years according to his website bio. Doubly impressive when you realise he’s only 16 years old. Jimmy Page, watch your back! Dressed in vibrant purple corduroy flares and with a body like the gable end of a £5 pound note, this talented young man had me mesmerised for his entire half hour set. I only wish I’d bought his CD at the merchandise stall. Next time!

Bang on eight thirty, and after a mad dash through the 1300 strong crowd to the little girl’s room (sorry to anyone I may have trodden on or elbowed) I re-took my place beside my friend. The lights dimmed. The curtains glided back. Cue the start of ninety minutes of high class southern rock. We sang. We clapped along (well, as best as I could considering I have precious little sense of rhythm!) Both of us loved every minute of it, as did the other 1300 folk around us.

When the evening came to an end, as all good things must, the lights came up and we began to make our way to the exit. Everyone around us seemed relaxed and smiling. It really had been a great feel good show.

When we were almost at the door I found myself behind two concert-goers who had obviously enjoyed themselves. In front of me, along with their humans, were two guide dogs. From the tail whipping that my knees took, those pooches had enjoyed Blackberry Smoke as much as everyone else. Humbling.

I wonder if their favourite song of the night was “Sleepin’ Dogs”?

Blackberry Smoke collage

A Massive night out

I mentioned a couple of posts back that concerts were like buses. None for months then WHAM- a musical deluge.

Last week it was Boy Child’s turn to chaperone his lovely mother aka ME! By coincidence we were heading back to the same venue as I’d visited with Girl Child two weeks ago. And, like the last time, this was the first gig I’d gone to when it was just me and one of my little darlings. Mother and Son night out.

This time we were off to see Massive, a fabulous up and coming Australian rock band. I had the pleasure of reviewing their debut album, Full Throttle, a few weeks back  for Phoenix Music Online (http://phoenixmusiconline.org) and it’s been a long time since a band has blown me away like Massive have. Having played the album constantly for weeks, I was more than a little excited to see them play live. They were the first of two support bands for the headliners, UK band The Treatment, who, I don’t mind admitting, I knew nothing about.

Having taken the train to Glasgow, hiked up Renfield St and Sauchiehall St to the O2 ABC, trying to keep pace with Boy Child and those long legs of his, we hid out in a nearby coffee shop until the venue’s doors opened. (OK we hid in the coffee chop to thaw out Boy Child who had, in his teenage wisdom, decided he would be warm enough in a t-shirt without a jacket. It’s Glasgow in October, Boy!! He was wrong. He was frozen!)

Shortly before seven we headed across the street and into the sanctuary of the O2 ABC 2. This intimate venue is starting to grow on me.

Bang on schedule Massive took to the stage in front of a small but growing appreciative audience. All bar one rock fan hung back a bit off the barrier, a little wary of this new act. Unusual for a Glasgow crowd. After Massive had stormed their way through their set opener, the band’s charismatic front man, Brad Marr, invited us to come closer. We did!

Ensconced on the barrier Boy Child and I  and everyone else, who was lucky enough to be there, were treated to an amazing performance of RnFnR! The highlight of Massive’s half hour set for me was a song called Ghost. I love love love that song!( Check it out on You Tube -http://www.youtube.com/watch?v=DenOPmovpq4 – You won’t regret it.)

When the band bade us a fond farewell and left the stage, I asked the roadie to pass me the set list that had been on stage in front of us. He handed it over with a smile and a couple of Massive guitar picks. Thank you, sir!

“Operation Autograph” was immediately launched! It wasn’t too hard a task as these musicians just love being among their fans and the added attraction of the beer at the bar helped. First to adorn the set list was front man, Brad Marr. It was a pleasure to chat all too briefly with him. While Boy Child and I were talking to him, drummer, Jarrod Medwin, came over and obligingly signed the slightly damp (beer stains from the band’s beer) set list. He admired Boy Child’s Alter Bridge t-shirt then we left them in peace to chat to other fans over a beer.

As the next band, Buffalo Summer, took to the stage I kept my eyes peeled for Massive’s bass player and guitarist. Eventually I spotted bass player, Aidan McGarrigle, near the rear of the room and went over to ask if he would sign the set list. As accommodating as his fellow band members, he set down his pint and penned his signature – very neatly, I may add! Having thanked him, I returned to my spot on the barrier beside Boy Child. The bass player remained behind us looking a little weary and a little lost. I nearly went back to invite him over to join us.

Three down – one to go.

It took me almost another hour but finally we saw the elusive guitarist coming back into the room. Quickly I followed him over to the merchandising stand, put my hand on his shoulder and commented that he was a hard man to find. With a shy smile and a slightly startled look in his eyes, he too signed the now less soggy set list. Thank you, Ben Laguda, and apologies if I startled you.

Mission accomplished.

A simple souvenir that is now framed and renting space on Girl Child’s wall.

Who knows in years to come when Massive really make it big, because it’s going to happen, I’ll look back at this beer stained souvenir and smile, remembering that I was right there at the front when they played their first ever gig in Scotland. Hurry back, boys!

 Massive collage

As for the headline act, The Treatment, they were great too. Perhaps because I had no expectations, I thoroughly enjoyed their hour long set. It’s been a while since this rock mum has been stood on the barrier head banging without a care in the world as to who was watching. (Not so good the next day when I had a pounding headache)

the treatment collage

The stars of the night though were most definitely the wizards from Oz- Massive! \M/

A Surreal Music Filled Friday Night

It’s been a while but the “rock mum” came out to play this past weekend.

I’ve come to the conclusion that concert tickets are like buses – none for months then BANG the diary is full and the credit card is smoldering. I’ve got tickets to seven gigs for between now and mid-December with another two for 2015 booked (OK – Girl Child is going to one of them with her Auntie Fi instead)

The first gig on the list was a little bit different and, as it transpires, a big bit special.

For those of you who don’t know, as well as writing this blog and working on my bigger “creative baby”, I also write music reviews for a friend’s website –http://phoenixmusiconline.org

Friday night’s gig was the first one I’d attend where I’d written a review of the band’s debut EP and was also to be the first gig review I would write for the webpage. Add to the already mounting nerves, I was also to catch up with the band after their set.

The band in question here are an amazing up and coming hard rock band called Crobot from Pottsville, Pennsylvania USA. This was their first UK trip and they were playing the support slot for a UK based band.

Girl Child drew the short straw and agreed to chaperone me for the evening.

Having taken the train to Glasgow, met up with the Big Green Gummi Bear for a quick hello and a coffee at his office before he headed home to Boy Child, we set off up the hill to the O2 ABC in the city’s Sauchiehall Street. We arrived at the venue ten minutes before the doors were due to open to be greeted by a suspiciously short queue – ok two suspiciously short queues and yes, we did join the wrong one! Eventually, after a circular tour of the former cinema, we found ourselves in the right room. It’s safe to say that Glasgow’s O2 ABC 2 is an “intimate” venue! (At a guess, I’d say it would hold 250-300 max, perhaps a few more)

When we entered there were perhaps thirty folk there. Gulp!

Girl Child drew me a withering look and retreated to stand near the back of the room, leaning against the low wall that bordered the raised lounge seated area. Sensing that she was best left alone, I wandered over to stand in front of the stage. The “barrier” was already lined with music fans- all 12 of them- and a handful of people were gathered behind. I joined them.

Bang on time Crobot walked out onto the smallest stage I’ve ever seen and, appearing totally unfazed by the distinct lack of audience, launched into a storming six song set. Right from the off, they performed as though they were playing to a sell-out crowd. Kudos to them!

A quick glance round told me that Girl Child had retreated even further back and was now curled up on a velour covered seat in the raised area. She was messing with her mobile phone. Definitely best left alone!

Standing among such a small audience made me feel surprisingly self-conscious. I almost felt as though I was intruding in a bizarre kind of way.

As Crobot started their final number audience numbers had swelled and they left the stage to an audible round of applause. Considering the situation, those guys did an awesome job out there.

With my ears ringing, I went in search of Girl Child who reluctantly admitted they had been ok.

A few minutes later I went up to the bar and spotted two of the band members standing chatting to some folk near the merchandising stall. With slightly shaking hands, I went back to where Girl Child was sitting and declared it was time to take the final leap of faith and introduce myself to Crobot.

Any of you who know me well will fully understand just how far out of my comfort zone this was taking me! “Rock Mum” persona was firmly painted on as we approached the band’s front man.

I needn’t have worried.

The band’s singer turned to face me, his face lit up as the sight of a familiar FB face and he embraced me like a long lost friend, declaring warmly, “You made it.” My nerves vanished. He then turned to Girl Child and hugged her too. The look on her face was priceless!

A few moments later the bass player joined us with a high five and a friendly if mischievous grin.

Two nicer more friendly guys you couldn’t hope to meet.

With the ice broken we chatted for a few minutes, struggling to hear each other over the headline act on stage, and posed for the obligatory photo (Yes Girl Child messed up the first one!)

The venue was now about two thirds full but the star act of the night had been and gone and done it. All those latecomers will never know the talent they missed.

Quietly Girl Child and I slipped out into the night in search of some dinner, leaving the headliners doing their thing. (I’ve never left a gig early before!)

A slightly surreal but wonderful experience!

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Oh and what do you talk to two heavy rock stars of the future about? Why – their trip to the Kelvingrove Art Gallery and the fact that you have actually been in and around their home town back in Pennsylvania. Small world!

iPod Overload and the evolution of the ” Big Green Gummi Bear Friendly” Playlist

It’s no secret that I love my music and am rarely out of reach of my iPod so, as a treat to myself for surviving the first week back at work after Staycation 2014, I decided to treat myself to a new album. Having successfully purchased said album and added it to my iTunes library, I began to sync my iPod and got a message I’ve been dreading…

“Device full” or words to that effect. 

The time had come when I would need to cull some of the tracks stored on the beloved device. … But how to choose!

Now I know there’s a dozen different ways to solve my dilemma without unnecessary sacrifice, which I duly made use of, but it got me thinking – how do you choose your favourites?

To me, that has to be one of the most difficult questions in the world – closely followed by favourite books or favourite films. All three are continually evolving. All three, certainly for me, are mood/frame of mind driven.

With the storage problem resolved for now, I decided to try an experiment. I would create a new playlist of “mellow rock tracks” and kill two birds with one stone. I’d identify my current tracks of choice and, hopefully, create a playlist that was more acceptable to the Big Green Gummi Bear’s sensitive “pop” ears and limit the number of times I’m firmly requested to “turn that shite down.”

I began to trawl through the list of songs. I deliberately never set a limit to the number to be included but had soon compiled the playlist version one- some fifty plus songs. Upon reviewing the list “rock” was being used quite fluidly in respect of content!

So who made the cut?

Well artists included ranged from the obvious firm favourites (Alter Bridge, Slash, Shinedown, Halestorm and Black Stone Cherry) to The Quireboys, Five Finger Death Punch, Garth Brooks, The Black Keys, Metallica, Rival Sons, Bad Company, Alice In Chains, Steely Dan and Sevendust to name a few. An eclectic mix I’m sure you’ll all agree.

As I played it through I realised I’d missed a few favourites so cue version two and then after a further musical flashback version three.

For a few brief hours I was happy with it then I began to read the latest edition of Classic Rock magazine. It’s a special edition celebrating 200 issues and is a compilation of 200 interviews with everyone who’s anyone. Cue another venture onto iTunes in search of various songs over the years that had slipped through the net- Genesis, Creedance Clearwater Revival, Free, Jo Bonamassa and The Black Crowes found their place in the mix.

My “mellow rock tracks” playlist version four is currently 85 songs long running to some 6 hrs 42 mins.

On the plus side, I’ve not been asked to turn it down all weekend 

Now to go and start the “Hard and Heavy” playlist……

keep-calm-and-listen-rock-music-17